Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.   Related Paintings of GIOTTO di Bondone :. | Moses Brings Forth Water out of the Rock | God Sends Gabriel to the Virgin | Last Judgement | The Marriage Procession of the Virgin (mk08) | The birth, with the giornate indicated |
Related Artists:
Charles Philips
(1708 -1747 ) - Painter
Jacob Claesz van Utrecht
also named by his signature Jacobus Traiectensis (born c. 1479 - dead after 1525) was a Flemish early Renaissance painter who worked in Antwerp and Lebeck. Jacob van Utrecht's life is still very much in the dark. Research on this important Flemish artist did not start before the end of 19th century. He was probably born in Utrecht, although it is not certain. It is assumed that he became a citizen of Antwerp around 1500 and he is recorded as a "free master craftsman" of the Guild of St Luke there from 1506 to 1512. From 1519 to 1525 he is recorded as a member of the Leonardsbruderschaft ("Leonard's Brotherhood"), a religious confraternity of merchants in Lebeck among whose ranks the leaders of the Protestant Reformation in the 1530s could be found. From then on no traces of his life have been found.
Charles de Lafosse
French Baroque Era Painter , Paris 1636/40 -1716 French painter and draughtsman. He was the most important decorative painter in France in the generation after Charles Le Brun and in this capacity contributed to many of the major official and private building projects from the 1670s to the 1710s, including the D?me des Invalides in Paris and the chapel at the ch?teau of Versailles. His colourist's temperament, his early study of the Venetian painters of the 16th century and his interest in the work of Peter Paul Rubens contributed to the triumph of the party that championed colour over line and put him in the vanguard of the new tendency in French painting in the later 17th century. His work, with its rich and changing colours, combines the strength of the 17th century with the lightness and grace of the 18th